Around the dinner table, the conversation was lively. Thank you but for now, the forum has been archived.
Has anyone noticed some similarities in mood between the book The Goldfinch by Donna Tartt (author of The Secret History) and The Return, namely the Las Vegas part?
I must say I haven't thought about a connection between Donna Tartt's book and Twin Peaks but I suppose there could be in the Las Vegas scenes. I mean there is that line on page 410 where it says 'There were classes where you built solar panels and had seminars with Nobel-winning economists, and classes where all you did was listen to Tupac records or watch old episodes of Twin Peaks.'
Interesting 🙂
I found the structure a tad similar, the beginning in NY then the move to Las Vegas which was very unexpected and a complete waste of time for the character (although fascinating in the book).
I suppose Mark Frost likes Donna Tartt since he decided to write his own Secret History, as she did.
When I first read Donna Tartt's The Secret History I thought it was in the similar vain to Barbara Vine's (Ruth Rendell) A Fatal Inversion. This was Ruth Rendell's first attempt at writing a literary crime novel away from the Wexford novels or the psychological novels under the Ruth Rendell moniker. I felt when Donna Tartt wrote The Secret History she was continue this vein of literary crime novel. Actually I think the Vine novels by Rendell are some of her best work. I especially liked Asta's Book. Donna Tartt's other book The Little Friend is also a good read in the vain of To Kill A Mockingbird.
Donna Tartt always seems to start with some dramatic event, or a mystery, and then just settles a mood that lingers on and on, without much happening, which again I find is very close to The Return.
Donna Tartt always seems to start with some dramatic event, or a mystery, and then just settles a mood that lingers on and on, without much happening, which again I find is very close to The Return.
Yes that is so true. It is like get the dramatic event out of the way first and then settle for a character study for the rest of the book.
And I think Mark Frost particularly likes that.
His movie Storyville was all about that, some starting event, a rather uninteresting plot, but a mood.