The one under the moon has to be the thing Mr. C is looking for.
...and here as well.
Then I thought it odd that Hawk declared Margaret dead to the others at the Police station after their phone call.
It may simply be after he was told by a paramedic, or a friend who might have been staying with her. Or maybe he went to her place after the phone call to check on her, I don't know. Nothing implies he came right after the phone call.
BTW, a tiny detail -- not important but I'll mention it anyway: there was a theory floating around even recently, that Hawk in Part 2 was around Glastonbury Glove possibly on October 2 at 2:53, but this is contradicted by the fact that she called him for the last time here. If one could have theorized that all of her calls took place in a different timeline, her passing is clearly implied to be right on October 1st. So the scene in part 2 couldn't have happened later than that.
Yes I remember that scene too. They talked on the phone when he is there, but then, why he hasn't mentioned to anyone that he went there and that he was able to watch the red courtains?
It's implied that Hawk has some measure of ESP or awareness. He knew intuitively that Margaret was dead shortly after their call.
I would have liked for them to have written a bit more comforting dialogue for Hawk to deliver, but, given what was written, Michael Horse really communicated his affection for her well. It was definitely emotional.
RIP Log Lady.
It would be funny if it were an actual number (numeral) 1 under the moon.
It's implied that Hawk has some measure of ESP or awareness. He knew intuitively that Margaret was dead shortly after their call.
I would have liked for them to have written a bit more comforting dialogue for Hawk to deliver, but, given what was written, Michael Horse really communicated his affection for her well. It was definitely emotional.
RIP Log Lady.
His silence was amazing. It was like the polar opposite of Bobby's reaction to the picture of Laura in the sheriff's office.
This episode was all about the relationships. The bond between Hawk and Margaret was as profound as that between Norma and Ed, but all turned inward. So many relationships: Charlie/Audrey, Steven and Gersten, Norma and Ed, Cooper and Jeffries, Cooper and Richard, Chantal and Hutch, etc. All closely connected at different stages of spiritual evolution.
Fire walk with