Ok this was not a typical Twin Peaks episode but when we talk about David Lynch nothing is typical or normal. The episode really blew my mind, my head at the moment is like the giant mashroom after the atomic bomb.
The ''Mother'' spits BOB and other things? The creation of BOB!
The aim of Laura Palmer and the reason of her importance!
The Golden sphere!
The creation of BL from the evil inside the people!
The Giant????? and his partner sending Laura to our world! To fight the evil.
The Black figures are many and not only one, probably victims of the bomb and now are helping the BL.
Gotta Light? Gotta Light? So maybe we can start ... Fire Walk With Me?
The young girl i assume is Sarah Palmer and the flying creature inside her could be Laura.
NIN at the Roadhouse with a yrev very related song, just check the lyrics or listen to it again.
I think i'm missing so much more, i have to watch it again! and again.. and again
Lynch did it again! i've never watched an episode like that in a tv series! Both wonderful and strange!
this might be the greatest thing I've ever seen. Loved this episode. My mouth sat wide open for over half an hour. Luckily I closed it before the frog/bug crawled in the girl's mouth.
So the bomb opened up the connection between the black lodge and our world? And I assume the charcoal men/ woodsmen are from that world.
Anyone else find that the main woodsman looked a lot like James Cromwell?
Nin at the roadhouse was a great set up for a wild episode.
I love how David Lynch got the free pass to do whatever he likes and what he knows to do best, without giving a damn about how mainstream it should be or not the return of TP.
This episode is so surreal and i love it!
At the same time it gives us some answers but also creates so many questions as well.
So the bomb opened up the connection between the black lodge and our world? And I assume the charcoal men/ woodsmen are from that world.
I think the bomb could actually be the connection, the passage: the entire scene is built as a long zoom in, and I felt that the POV goes inside the fire, inside the explotion, maybe even on a subatomic level -- BOB spawns from the very core of the 'Destroyer of Worlds'.
Anyone else find that the main woodsman looked a lot like James Cromwell?
Yes!! (Although I'd assume he is the one credited as Robert Broski)
I also noticed that, when the he's crushing radio MC's head, the Woodsman eyes goes blank, which reminded me of a similar looking creature appearing (and doing something... vaguely similar) in Lost Highway.
So the bomb opened up the connection between the black lodge and our world? And I assume the charcoal men/ woodsmen are from that world.
I think the bomb could actually be the connection, the passage: the entire scene is built as a long zoom in, and I felt that the POV goes inside the fire, inside the explotion, maybe even on a subatomic level -- BOB spawns from the very core of the 'Destroyer of Worlds'.
Anyone else find that the main woodsman looked a lot like James Cromwell?
Yes!! (Although I'd assume he is the one credited as Robert Broski)
I also noticed that, when the he's crushing radio MC's head, the Woodsman eyes goes blank, which reminded me of a similar looking creature appearing (and doing something... vaguely similar) in Lost Highway.
hes James Cromwell and Abraham Lincoln combined.
Ok the mushroom cloud after the atomic bomb is on the one side of Gordon's office and a F. Kafka portrait (''The metamorphosis'' of the flying creature) on the other side of his office.
Ok the mushroom cloud after the atomic bomb is on the one side of Gordon's office and a F. Kafka portrait (''The metamorphosis'' of the flying creature) on the other side of his office.
Would those be just hints for us, or is Gordon somehow aware of some of this?
Ok the mushroom cloud after the atomic bomb is on the one side of Gordon's office and a F. Kafka portrait (''The metamorphosis'' of the flying creature) on the other side of his office.
Would those be just hints for us, or is Gordon somehow aware of some of this?
Unsure...
The New Mexico events did occur in Gordon's past and we don't yet know the full story of what happened there. Also we don't know exactly what Gordon means by a "blue rose" case.
In my head I like to think that Cole choose those paintings to remind him of the events in New Mexico and "blue rose" cases in particular rather than as a hint to the viewing audience about what's to come.
^
^^
Maybe both! It can be hints but also Gordon could know things which can be classified, like the Blue Rose cases that are cases that have to do with supernatural stuff, or at least with unexplained phenomena. Or yeah it could be just paintings that he likes! 😉
There is a third black & white picture in Gordon's office of a stick of corn...
I'm getting more convinced that he's hung those paintings as reminders to himself or because of his interest in "blue rose" cases.
^
Yeah, Garmonbozia.. but i agree!