Sherilyn Fenn wants another season too. This she asks on her Twitter account:
Please let DKL know you want another season
I do...
Sherilyn Fenn wants another season too. This she asks on her Twitter account:
Please let DKL know you want another season
I would think so .... she was left hanging! But I think showtime has to buy into it...
Sherilyn Fenn wants another season too. This she asks on her Twitter account:
Please let DKL know you want another season
I would think so .... she was left hanging! But I think showtime has to buy into it...
Sherilyn Fenn wants another season too. This she asks on her Twitter account:
Please let DKL know you want another season
I would think so .... she
tweet tweet tweet
you all brought us back EVERYTIME! Be Bold.......
Tell them you want more by filling in this form -
https://showtimeppv.zendesk.com/hc/en-us/requests/new?ticket_form_id=131967
Sherilyn Fenn wants another season too. This she asks on her Twitter account:
Please let DKL know you want another season
I was desperate for more seasons until I watched the ending of this one. I've seen Inland Empire, I really love it. But I don't need to see it played out again and again.
Twin Peaks had the makings of this beautiful sandbox of storytelling.. So many possibilities, so many new stories to tell, with the backdrop of a town and cast of characters we so love.. but instead it's like "anything but Inland Empire is just so bourgeoisie!" Thanks but no. Lynch has told us we can't have nice things.
Sherilyn Fenn wants another season too. This she asks on her Twitter account:
Please let DKL know you want another season
I was desperate for more seasons until I watched the ending of this one. I've seen Inland Empire, I really love it. But I don't need to see it played out again and again.
Twin Peaks had the makings of this beautiful sandbox of storytelling.. So many possibilities, so many new stories to tell, with the backdrop of a town and cast of characters we so love.. but instead it's like "anything but Inland Empire is just so bourgeoisie!" Thanks but no. Lynch has told us we can't have nice things.
Sherilyn Fenn wants another season too. This she asks on her Twitter account:
Please let DKL know you want another season
I was desperate for more seasons until I watched the ending of this one. I've seen Inland Empire, I really love it. But I don't need to see it played out again and again.
Twin Peaks had the makings of this beautiful sandbox of storytelling.. So many possibilities, so many new stories to tell, with the backdrop of a town and cast of characters we so love.. but instead it's like "anything but Inland Empire is just so bourgeoisie!" Thanks but no. Lynch has told us we can't have nice things.
Sherilyn Fenn wants another season too. This she asks on her Twitter account:
Please let DKL know you want another season
I was desperate for more seasons until I watched the ending of this one. I've seen Inland Empire, I really love it. But I don't need to see it played out again and again.
Twin Peaks had the makings of this beautiful sandbox of storytelling.. So many possibilities, so many new stories to tell, with the backdrop of a town and cast of characters we so love.. but instead it's like "anything but Inland Empire is just so bourgeoisie!" Thanks but no. Lynch has told us we can't have nice things.
Twin Peaks still does have "the makings of this beautiful sandbox of storytelling".
Consider this... Now that people have gotten their heads around Inland Empire, Mulholland Drive and now TPTR... where do you think Lynch can take you next with a season 4? Are you ready for that level yet?
Twin Speak? More like Quadrupal Speak. 😉
It was almost nothing like Inland Empire. I'm not really sure where the comparisons are coming from, other than the Doppelgangers and the fact it confused you.
Inland Empire was mostly about the distinction between reality and film, when the persona you play blends into your real life and you get lost in between.
Peaks is a lot simpler. Coop jumped between two realities and now exists in a world he isn't a part of, where Senorita Dido's golden orb was born as Carrie and not Laura.
And there is still an almost infinite scope for storytelling left.
I hate to be 'that guy', but if 17 hours of genius can be undone for you personally in an hour, I don't know what to say. If a 2 hour film is fantastic and the last ten minutes isn't, I'd consider it beyond idiotic to go 'Yup, that whole thing was shit. Forget the fact we had ten minutes I didn't like and 110 I did like, the whole thing is shit and I hate it.'
It was almost nothing like Inland Empire. I'm not really sure where the comparisons are coming from, other than the Doppelgangers and the fact it confused you.
Inland Empire was mostly about the distinction between reality and film, when the persona you play blends into your real life and you get lost in between.
Peaks is a lot simpler. Coop jumped between two realities and now exists in a world he isn't a part of, where Senorita Dido's golden orb was born as Carrie and not Laura.
And there is still an almost infinite scope for storytelling left.I hate to be 'that guy', but if 17 hours of genius can be undone for you personally in an hour, I don't know what to say. If a 2 hour film is fantastic and the last ten minutes isn't, I'd consider it beyond idiotic to go 'Yup, that whole thing was shit. Forget the fact we had ten minutes I didn't like and 110 I did like, the whole thing is shit and I hate it.'
It seems a lot of folks are getting an introduction into existentialism (wtf?). I find it odd that people signing on to David Lynch project are unfamiliar. It is hitting some pretty hard though. Angst and despair can be suffocating. The ending to TPTR was more impactful than I would've guessed 16 hours ago.
It was almost nothing like Inland Empire. I'm not really sure where the comparisons are coming from, other than the Doppelgangers and the fact it confused you.
Inland Empire was mostly about the distinction between reality and film, when the persona you play blends into your real life and you get lost in between.
Peaks is a lot simpler. Coop jumped between two realities and now exists in a world he isn't a part of, where Senorita Dido's golden orb was born as Carrie and not Laura.
And there is still an almost infinite scope for storytelling left.I hate to be 'that guy', but if 17 hours of genius can be undone for you personally in an hour, I don't know what to say. If a 2 hour film is fantastic and the last ten minutes isn't, I'd consider it beyond idiotic to go 'Yup, that whole thing was shit. Forget the fact we had ten minutes I didn't like and 110 I did like, the whole thing is shit and I hate it.'
People should make a list of all the bits they loved about TPTR. There were soooo many of them.
It was almost nothing like Inland Empire. I'm not really sure where the comparisons are coming from, other than the Doppelgangers and the fact it confused you.
Inland Empire was mostly about the distinction between reality and film, when the persona you play blends into your real life and you get lost in between.
Peaks is a lot simpler. Coop jumped between two realities and now exists in a world he isn't a part of, where Senorita Dido's golden orb was born as Carrie and not Laura.
And there is still an almost infinite scope for storytelling left.I hate to be 'that guy', but if 17 hours of genius can be undone for you personally in an hour, I don't know what to say. If a 2 hour film is fantastic and the last ten minutes isn't, I'd consider it beyond idiotic to go 'Yup, that whole thing was shit. Forget the fact we had ten minutes I didn't like and 110 I did like, the whole thing is shit and I hate it.'
It seems a lot of folks are getting an introduction into existentialism (wtf?). I find it odd that people signing on to David Lynch project are unfamiliar. It is hitting some pretty hard though. Angst and despair can be suffocating. The ending to TPTR was more impactful than I would've guessed 16 hours ago.
Shouldn't that be existentialism 101?
It was almost nothing like Inland Empire. I'm not really sure where the comparisons are coming from, other than the Doppelgangers and the fact it confused you.
Inland Empire was mostly about the distinction between reality and film, when the persona you play blends into your real life and you get lost in between.
Peaks is a lot simpler. Coop jumped between two realities and now exists in a world he isn't a part of, where Senorita Dido's golden orb was born as Carrie and not Laura.
And there is still an almost infinite scope for storytelling left.I hate to be 'that guy', but if 17 hours of genius can be undone for you personally in an hour, I don't know what to say. If a 2 hour film is fantastic and the last ten minutes isn't, I'd consider it beyond idiotic to go 'Yup, that whole thing was shit. Forget the fact we had ten minutes I didn't like and 110 I did like, the whole thing is shit and I hate it.'
It seems a lot of folks are getting an introduction into existentialism (wtf?). I find it odd that people signing on to David Lynch project are unfamiliar. It is hitting some pretty hard though. Angst and despair can be suffocating. The ending to TPTR was more impactful than I would've guessed 16 hours ago.
Shouldn't that be existentialism 101?
Aye. I posted that in another thread. Like to mix it up, I do . . .
Fire walk with