Around the dinner table, the conversation was lively. Thank you but for now, the forum has been archived.
When Mr. C enters the room for Laura's dream and tells the Woodsman that he wants to see Phillip Jeffries, the Woodsman flips the switch, presumaby connecting the door to where he wants to go. In the electrical flash, just before we see the Jumping Man/Sarah, you can see that the machine he has by him seems to be the back of an old, 78rpm- playing juke box.
Perhaps that is a reflection of the cosmology of the Other Places. There are multiple planes, and entering the correct input directs you to the correct plane.
This would explain Naido in oart 3...
I like it.
It could also explain why old tube amps go for stupidly high prices. I mean, who wouldn't want to visit the Other Places?
When Mr. C enters the room for Laura's dream and tells the Woodsman that he wants to see Phillip Jeffries, the Woodsman flips the switch, presumaby connecting the door to where he wants to go. In the electrical flash, just before we see the Jumping Man/Sarah, you can see that the machine he has by him seems to be the back of an old, 78rpm- playing juke box.
Perhaps that is a reflection of the cosmology of the Other Places. There are multiple planes, and entering the correct input directs you to the correct plane.
This would explain Naido in oart 3...
It would also explain the dreamy quality of the Roadhouse and performances there (most especially in FWWM).
Fire walk with 
